Tag Archives: painting

In Memoriam

It is with a broken heart and many tears that I announce the passing of a dear friend, sister in Christ, and painting buddy, Alanna.

I met Alanna 7 years ago when she contacted me through this site. She LOVES to paint and wanted to learn more, so she emailed me. We struck up a friendship and knowing she was from my area, I offered to teach her how to paint at the Little Red Schoolhouse Nature Center. That began a wonderful painting and hiking friendship where we visited many forests preserves and explored nature together.

Through the years we shared many things…talking hours about God, sitting in her prayer swing in her backyard, discussing frustrations in our lives, discussing current events, relationships, you name it. She always has a way of making me feel better about any situation. I only wish I could do the same for her.

Many of you might recognize her from the MeetUp group painting events. It was rare when she missed one.

This is the last MeetUp painting she beautifully created….

She wrote:
“The Lord is my Shepherd, I shall not want…. ye, though I walk through the valley of death, I shall fear no evil.  Psalm 23”

The MeetUp topic was depression and how to cling to God’s word in the midst of struggle. This was her favorite verse.

But she was depressed and she was very fearful about an upcoming surgery. A routine surgery.

It is with the permission of her family and with great devastation that I inform you that Alanna took her own life.

Our mission now is to tell her story and help others considering suicide. See, just because someone seems strong, or independent, doesn’t mean that they aren’t a scared little girl or boy on the inside. Just because someone says they’re close to God, or a Christian, doesn’t mean that they feel safe and have it all together. Many hide their true feelings deep within.

But God LOVES YOU.
He IS love.
He knows the very number of hairs on your head. (Matt 10:29-31)
He has loved you with an everlasting love. (Jer 31:3)
He sent his very Son to die on a cross for your transgressions so that you would be with Him for all eternity. (John 3:16)
He personally formed you in your mother’s womb. (Ps 139:13-14)
He adopted you as a son or daughter through Christ. (Eph 1:5-6)

Not only that, but He sent the Holy Spirit to walk next to you day by day to strengthen you because he knew this world is difficult. (Matt 10:16)

Life is difficult. Christians are not exempt from suffering, nobody is exempt from suffering, but the Word has power and we must cling to it.

He will never leave you nor forsake you. (Heb 13:5)

If you are struggling with life and have even a tiny fraction of a doubt whether you can go on or not….
If you’re scared and don’t know what to do….
If you’re lonely and have no one to turn to….
If you’re lost and you think there’s no way out….
If you’re so angry you can’t take it any longer…..
If you’ve been made fun of and you believe the bullies….
If you can’t look into the mirror anymore….

DON’T GIVE UP

Call 911 and tell them.
Call the Suicide Hotline: 1-800-273-8255  available 24/7
Text “CONNECT” to 741741 on your cell phone

Please.
You are not alone.

Listen to this encouraging song and hear the words:

I will always keep Alanna in my heart and with me in the woods when I’m exploring.

I know many of you will have kind, heartfelt comments. I thank every one of you in advance. At this time I cannot reply.

All Things Tiny Watercolor

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93°F
Hot Humid

Journal Notes:
I found a bench in the shade and it’s ALL MINE. I claim it.

A healthy breeze keeps me comfortable, despite the heat.

A charm of American goldfinches keeps my spirits exceptionally high as I notice their hilly flight pattern above my head. Suddenly, a blasting car horn in the distance abruptly ends my trance on the goldfinches. Grrrr……
But my goldfinches pull me back. My mind happily flutters up and down with them in the air as if I am sailing right next to them. Their cheery song while cresting high and falling low is no match for a bad mood.

Circular ripple patterns in the lake grow outward but I missed what caused it.

The air in my nostrils is warm and humid but sweet all at the same time. I am forever thankful for this moment in nature.

My mission as of late is to dwindle my watercolor supplies for the field to a bare minimum. I have become lazy lately and have not taken healthy hikes because I use the excuse of my supplies being too heavy.

Well, no more.

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Introducing my tiny watercolor field supply kit. It fits in your two hands. Light weight, portable, and can wrap around your wrist.

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All of these supplies fit nicely inside. One watercolor cold press pad (6″x4″), one Daler Rowney watercolor field kit, two aquabrushes, one pencil, one black micron pen (not shown), and a paper towel (not shown). Total weight is probably three pounds. This kit will remain in my car. Now I will have no excuse for a spur of the moment venture.

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And here is my new tiny kitten. I call him: Little Baby Turkey Stuffing, but his real name is Niles. Niles does not fit into my tiny watercolor field supply kit. He waits for me to come home so that he can bite my supplies and my hand. Bad Baby Turkey Stuffing!

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Here is the reference photo of what I was looking at when I painted the pines. I took the pines in the distance at the beautiful Morton Arboretum and used artistic license, weeding out the background to create the tiny watercolor sketch.

What about your sketching strategy? What does your kit include?

Difference Between Hahnemühle Watercolor Blocks Review

I was very fortunate to receive watercolor block samples from Hahnemühle USA out of Crystal Lake, IL, so that I can review them and inform my fellow watercolor artist friends how they preform. That’s you!

What are watercolor blocks?
Watercolor blocks are watercolor sheets, bound together as a block. The sides of the block has dried glue to keep the pages together. Somewhere along the edge there is a section without glue, so that you can separate the page from the block. You can easily do this with a letter opener, a knife, or your finger after your painting is dry.

Why are blocks advantages?
The advantage of using a block as opposed to a loose sheet is that you do not need to prepare your paper by taping it down, or by wetting it and taping it down (no pre-stretching the watercolor paper).

For this review I painted the same scene, using the same colors, with the same brushes, in the same sequence, using the same techniques, in the same weather conditions. I needed this control so that I can understand what each type of paper was doing and to be able to spot the differences which I am happy to share.

Click any picture for a larger view.

Block #1
Cézanne
300 g/m²  140 lbs. matt

The paper itself has a cold press texture but the texture isn’t uniform or repeating. It accepted my graphite sketch with very little pressure. The sky was done wet on wet, which means I pre-wet the sky with clean water before I applied my color. When I applied my color, the pigments spread fast and fluid. The colors blended together well  and I did not have to soften the edges. The tree was done wet on dry, which means I painted the tree directly on dry paper. The colors blended effortlessly (see close up photo). This tells me that the paper isn’t drying fast and my pigment is soaking in . The paper stayed wet a fair amount of time. The ultramarine blue in the sky has slight granulation showing on the paper. The paper did buckle as I was painting, however dried almost completely flat in the end.

Recap:

  • Paper has a varied texture
  • Stays wet a fair amount of time
  • Pigment and water spreads fast and fluid
  • Paper did buckle on the block; Dried mostly flat
  • Very minimal granulation in the ultramarine blue
  • Painting has soft look

Block #2
Cézanne Hot Press
300 g/m²  140lbs.

This hot press block has a satin finish and no texture at all. The wet on wet sky technique created a bead of water and pigment on the paper which tells me that the water wasn’t quick to soak in from the previous cold press block however the surface dries much quicker. Pigment does not spread out fast nor does the pigment mix quickly. This is shown in the close up of the tree that was done wet on dry. Edges have a hard look because of the quick dry time. The ultramarine blue in the sky has moderate granulation showing on the paper. The paper did buckle on the block as I was painting but dried flat in the end.

Recap:

  • Paper is satin smooth with no texture
  • Paper dries fast
  • Pigment does not blending fluidly
  • Moderate granulation showing in ultramarine blue
  • Paper did buckle but dried completely flat
  • Painting has hard edges

Block #3
Turner Cold Press
300 g/m²  140lbs. matt

Turner cold press has a small repetitious texture that resembles a screen. The wet on wet sky produced nice fluid blending of pigments. Edges look soft. The wet on dry technique with the tree also created fluid blending (see close up photo). However when dry, I noticed white speckle pattern in the dark green of the tree. Paper showing through? There is moderate granulation showing in the ultramarine blue sky.  This paper dries quicker than Cézanne cold press but stayed wet longer than Cézanne hot press. The painting never buckled on the block and remains completely flat.

Recap:

  • Paper has repetitious tiny grid like pattern
  • Pigments blend smooth
  • White speckles appeared in darkest green of tree
  • Stays wet an ample time
  • Did not buckle on the block, always flat.
  • Moderate granulation showing in ultramarine blue

Block #4
Leonardo
600 g/m²  280lbs. matt

This one is my absolute favorite and I am very much in love. But this is my own personal preference and you should explore yours.
The heavy weight paper has a deep varied texture. I was afraid at first, because I have painted on heavy weight watercolor paper with much struggle. Not this time. Blending was effortless. The pigments ran fast and fluid just like the Cézanne 180lbs. matt but even more so!  It accepted the water well, I did not need to use more water because the paper was so thick like with inferior brands. Paper stayed wet a fair amount of time. The wet on dry technique on the tree also produced nice effortless blending of colors (see close up photo). The ultramarine blue formed large granulation on the paper. The paper never buckled and is completely flat.

Recap:

  • Large varied texture of paper
  • Ample drying time
  • Colors blend well wet on wet or wet on dry
  • Large granulation of ultramarine blue
  • Paper never buckled and remains flat

Last but not least…
Block #5
Leonardo Hot Press
600 g/m²  280lbs.

This heavy weight hot press paper is satin smooth, despite what the watercolor painting looks like. The application of pigment was extremely fluid especially wet on wet and produced no hard edges like the Cézanne hot press. The wet on dry technique on the tree also blended quite nicely. The paper remained wet an ample amount of time. The ultramarine blue formed extra large granules which surprised me because the paper is so smooth. I like granules btw, so that doesn’t bother me. For hot press paper, this one is high quality with easy fluid blending.

Recap:

  • Paper has satin smooth finish with no texture
  • Pigments blend fast and fluid wet on wet and wet on dry
  • Paper stayed wet an ample amount of time
  • Extra large granulation with ultramarine blue resulted
  • Painting never buckled on block and remains flat

I want the thank Hahnemühle for allowing me to perform a review on their watercolor blocks. I have my personal favorite, but I encourage you to experiment with your own style. You can find Hahnemühle watercolor papers at the following dealers:
Dick Blick, WetPaint in MN, DaVinci Artist Supply in NY, Flax Art & Design in San Mateo, Binders in Atlanta, and Talas in NY.

Now get out, have some fun, and paint!

Christine

 

The Bridge – Watercolor

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62°F and very breezy. Somehow you don’t mind the wind when it’s mild, even if strong. I could sit here for hours.

After only a few minutes, to my surprise, a flock of ducks descend on the water. But these are no common mallards. What are they? They communicate with each other by “whisping”….whisp, whisp, whisp. It’s a cross between a whisper and a hiss. One performs some kind of walk-on-water dance. Was he impressing a female? I believe these are blue-winged teals. I watch them with great wonderment. They don’t feel my eyes prying, staring like a rude intruder.

l sit for an hour painting the bridge. I contemplate where it leads and why it was built. A smile comes across my face as I think about Easter and realize that Jesus became the bridge to unite us to God. By dying on the cross (also made of wood), he bridged the gap between sinful humans and God. In Him we have redemption through His blood, the forgiveness of sins, in accordance with the riches of God’s grace. [Eph 1:7] And after paying for our sins, He rose from the dead because death could not hold him. [Acts 2:24]

This act of death on a cross came at a great, painful price. A great loving price. A free gift from the Father through the obedience of the Son. If we repent and accept Him as our Savior, He promises to forgive….no questions asked…no sin too big, nor too horrible to forgive. You will be made white as snow and He will remember your sins no more. [Is 1:18]

He wants to be in your daily life. He isn’t a God who sits on a fluffy white cloud waiting to strike you down. He is love and wants to communicate with you through prayer. He also promised to never leave you nor forsake you. That’s good news especially in our tumultuous times.

The Bridge

A stranger walks towards the water and the bridge. Not only do frogs on the fringe of the pond shriek and leap for their lives into the water, but my ducks become frightened too and swim out of sight. Chorus frogs steadily call in the background.

The seen and unseen mysteries of life are fascinating. It’s all attainable, doors will open if you knock.

Happy Easter,
Christine

Hidden Lake Watercolor – It is Well with My Soul

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Driving home and not intending on stopping, something told me it was deeply necessary. Necessary because the world depends on it? Well, no. But rather necessary because my soul needed it. It’s been a while.

But I don’t have time!
Stop.
But I’m expected home right now!
Stop anyway.

With art supplies in the back seat, I was able to focus on this scene and contemplate nature…the way the horizon looks a tinge peach even though I am facing east and it’s an hour from sunset…the way the dried golden grasses reflect in the water…the way the tiny foreground tree has tiny gnarly twigs…
And suddenly it is well with my soul.

I am learning lately to relinquish control and listen to that still small voice. I cannot fail if I trust in God even if I cannot fully see the situation. Today was a favorable situation and I enjoyed my quick impromptu painting, but can I still have that same positive attitude with a less favorable condition? Do I trust? Can I let go of control? Will it still be well with my soul?

Now that would be some kind of faith.

To trust in God, to trust He has a plan even when things don’t go my way or perhaps when suffering is involved, if total control is relinquished, that’s not only courageous faith, but peace and freedom too. And that faith will not go unaided, for He said:
“My grace is sufficient for you, for My power is made perfect in weakness.”
2 Cor 12:9

Amen.