Last June I went to Christ in the Wilderness for a 4 day retreat. Every time I visit, I’m rewarded with beautiful solitude, majestic nature, the ability to think and pray. It is like a spiritual renewal or refreshing. God works in mysterious ways and I believe he was speaking to me through nature, almost preparing me for the near future. More of that on a later post.
While I was there in June, I took video of the surroundings and was inspired to paint a picture of a lonely birdhouse on a wire fence that borders the property of CITW. After completing the painting, I was inspired to name it:
“Going Home”
This perhaps is in direct relation to the passing of my dear friend, Alanna. She always said our bodies are vessels and this world is not our home. How true.
Today’s video is in two parts. It is a pastel painting with a watercolor underwash on a white Ampersand Pastelbord. There are a few minutes of beautiful nature in both videos. The first video is a demo of the bulk of the painting and the second video is a demo of highlighting the details. All supplies are listed in the info section on YouTube. Enjoy.
Video 1 of 2 (9 minutes)
Video 2 of 2 (5 minutes)
It was brought to my attention that sometimes the videos do not show up in your email. That’s weird. I do not know why this happens. In any case, if you are reading this post from your email and do not see the videos embedded in your email, visit http://www.letspaintnature.com and view from the web site.
Interested on a print or greeting card of Going Home?
click here
Thank you
What is an underwash? With a pastel painting, it is the first layer of the painting. Why are underwashes needed? Because it either covers the media, saving you from using too much soft pastels, or has a desirous effect with your painting. We will discuss both. In both of these examples, I am using a 10″x8″ Ampersand Pastel Board.
Example #1 Watercolor Underwash
watercolor underwash
pastel on top
In this example I used watercolor as a first step underneath my pastel painting. Pros: Watercolors have a cool effect. The water spreads the pigment and the clouds look soft, distant trees look realistic without much effort. Let the watercolors do what watercolors do…..spread on their own. Do you see under the clouds? It looks as if rain is descending on the ground….I did not do this intentionally, the watercolors spread on their own and like magic it looks realistic. Cons: When dry, the watercolors dry very, very light. Apply dark if possible.
When applying soft pastels on top, do not cover the whole painting. Let the watercolor underwash show through. This enables you to achieve a 3D effect, effortlessly.
Example #2 Turpentine and Pastel Underwash
pastel on board
turpentine added
pastel on top of turpentine
In this example I scribbled a little pastel color and blended it on my board with turpentine and a bristle brush. A little goes a long way. Pros: It takes very little pastel scribbled on your board to cover the entire surface. It actually takes a lot less than what I used. Just apply a tiny bit of pastel color and with a clean bristle brush, spread it with turpentine. Pastels are expensive, but if you use this method you will not waste much soft pastel. Cons: Not much of a 3D effect, rather flat, but many layers can be applied for a dimensional look.
Both methods are fun. These two examples were done on Ampersand Pastel Boards. These methods will NOT work with regular pastel paper. The water with the watercolor and the turpentine in method #2 will destroy regular pastel paper.
Explore and have fun! Layer and see where it takes you.
It’s been a long time since you’ve seen a video, huh?!? Yeah, I’m slacking! Well, no more! Time to get to work. And more to come….I promise.
Normally, I like to perform a step by step painting demo right in nature. It is so much more pleasant than an indoor studio, however I saw this magnificent breathtaking sunset as I was driving to Springfield, IL, two weeks ago and I only had time to click a quick picture. So this demo is done from a photo.
Here is the photo:
Here is a photo of the final painting:
Unfortunately the video has poor lighting, so the final (which was scanned in) looks much more vibrant. I am using new software so quality will improve with use.
I hope you are keeping up with your art. I hope you are playing and practicing. I hope you are taking time for yourself in this area. Life can be overwhelming most of the time, especially if you have a full time job and a family. You have to fight for your time. Fight for it. It will keep you healthy.
The November landscape has inspired me to create a soft pastel painting. Do you want to paint one with me? OK! Here we go!
First, here is the scene that inspired me (minus the rocks)…
Now, before we begin, here is a sneak peak of all the steps in a time lapse…
Like it? YOU CAN DO THIS! Here we go.
Step 1: I am using a gray Ampersand pastel board 20×16. Why gray? For no reason other than I had it laying around. Using a pastel pencil, any light color will do because this will get covered completely, draw a rough sketch. I am using Derwent Pastel Pencils. ***Note: You can use ANY pastel brands you have and any colors. You don’t have to run out and buy the brands I use. 🙂
Step 2: Lay down color all over the board just to have a base to work with. Don’t worry about which color is the right color to use. Most of this will be covered. The secret to painting with pastels is, lay down “harder” soft pastels first then top with “softer” soft pastels. You will find certain brands are harder than others. I mainly use Rembrandt and Unison brands. Rembrandt is harder than Unison so they go on the bottom. However (there’s always an exception), Unison brand seems to be darker. The darkest Rembrandt can’t get as dark as a dark Unison…so if I need to go dark, I will use the Unison first.
In this step, I used all Rembrandt pastels and wasn’t too concerned with exact color.
After you cover your board, take a fat paint brush, like a cheap one you paint your walls with, and turpentine and paint over the pastel scribbles. You’re just spreading and moving the pastels around. Don’t worry about direction of brush stroke or anything.
Also, don’t worry how dark it will look. When it dries it will become lighter. Here is what it looks like dry:
This is completely dry. This step is important because it covers a lot of ground in little time with little pastel pigment.
Step 3: Now we are going to start layering. Using Rembrandt (medium blue) #506,7 make horizontal likes in the sky near the top of the board. Then take Rembrandt (light blue) #570,9 and paint horizontal lines in the sky above the horizon and in the center.
Going lighter, paint Unison #grey 33, in the sky on top and Unison (light blue) #A53, over the horizon and center of the sky.
Time to wake up your inner child….with your finger blend these colors in the sky back and forth horizontally. Fun! I know!!
Step 4: Now we are going to paint the base of the pine trees. Using Rembrandt (dark green) #627,3 paint in some pines leaving “sky holes”. You don’t want one solid mass.
Step 5: Now I notice, I have to go much darker. So, with these colors I overlap my pine boughs Unison (dark blue) #A37, (dark green) #Green 13, (dark purple) #DK 14. Looking great!
Step 6: Here we are going to highlight the pine, here and there, not covering the whole tree. Using Unison light green, paint in some pine tips.
Step 7: Using Derwent Pastel Pencil #Spectrum 11F Orange, draw in some birch trees over the lake in the distance. Go lightly.
Here is a close up so you can see what they look like.
Step 8: OK! Let’s anchor those pines to the ground by painting a dark color underneath them. Using Unison (dark blue) #A50, also paint the water by the edge of the ground to darken this area. Blend with your finger. Now using that pastel pencil for the birch trees, paint in their reflection in the water.
Step 9: Using Rembrandt medium blue, like the sky and Unison (light blue) #BV8, paint over the water, lightest color in the middle. Blend with your fingers.
Step 10: Now we are going to start layering the grasses. Darker color on the bottom. Using Dark Brown Rembrandt #408,3 and dark blue Unison #A49 scribble in some grasses. The lighter grasses I used a medium olive green Rembrandt #227,3.
Step 11: Here we are layering the grasses with lighter colors and highlighting the pine bark. In the grass area, scribble using a light sage Rembrandt #202,3, beige Rembrandt #236,3, and yellow Rembrandt #227,5. For the pines bark, I highlighted with a red Derwent Pastel Pencil #Deep Cadmium 6D.
Step 12: Let’s paint the lightest blades of grass and make reflections in the water. The lightest blades are light yellow Unison #Y15. Take some of your grass colors and paint them in the water. Then, take your finger and pull down.
Step 13 Final: In this step I added more punch to the pines. Using a very light yellow-green Unison highlight some pine tips. Then, sneak in some other striking colors like hot pink and purple…it gives it life. And you’re done!
If you would like a print or greeting card visit below:
I hope you enjoyed this free step by step soft pastel demonstration of pines by the lake! Remember, you can do this!
I don’t know what it is about an open field with few trees, but I just can’t get enough of them! Maybe it’s the open expanse of the field and the sky together, making you feel free or perhaps the feeling of looking far into the distance causing you to ponder the distance in your own life? Who knows. I just like them. So let’s see how to paint a field using warm soft pastel colors…
Step 1: My pastel paper is tinted dark gray and feels like sand paper. I’ve had it for so long, I honestly cannot remember what brand. My paper size is 10×8. Make a simple sketch, with the horizon line 1/3 of the way from the bottom of the paper. Next sketch in some distant tree lines (scalloped edge) and two young trees in the foreground. I used pastel pencils to make my sketch.
Step 2: I always start on top and work my way down. This is a dry pastel painting, meaning there is no underwash. This painting is small enough that I do not need to. Starting at the top paint the sky with dark (R 506,7), medium (R 570,7), and light blue (R 570,9). I am using Rembrandt and Unison soft pastels and will note Rembrandt as R and Unison as U.
Step 3: Blend with your finger. Go right over the trees, it doesn’t matter we will fill it in later.
Step 4: Make some distant trees in the background. My trees are two colors: first a medium brown (R 409,7) and then a purple/brown (R 538,8). Keep the top of the tree line scalloped and uneven. Gently smudge the top of the tree line into the sky.
Step 5: On this day, the sky was mostly cloudy and had a peach color far in the distance. So that is what we will paint, using Unison soft pastels now, paint the horizon a peach color (U Orange 11), the middle of the sky a light lavender (U BV 1). Blend with your fingers lightly.
Step 6: We are going to go even lighter in the sky with another layer of very, very, light lavender/blue (U BV 8). Blend with your finger in circular motion like puffy clouds. Oooo, the sky is looking real nice so far!
Step 7: Now the clouds in the sky are never just white. There are many colors swirling around, like pink, yellow, purple, blue/gray. So here and there we are going to add touches of pink (U Red 18), yellow (U Orange 18), and light lavender (U BV12). Blend with your finger.
Step 8: Now we are going to work on the field. I used three colors, first a dark purple/blown (R 538,7), next a tan color (R 231,3) and lastly a nice russet color (R 411,7). I love all of those yummy warm winter colors!!!
Step 9: Let’s work on the trees now. I used a Carbothello pastel pencil navy (1400/760)
Step 10: After I get the basic shape of the trunk and branches, I like to hit it with some amazing “pop” colors. The color of the sun on the trunk is (U Orange 3). I also used purple Carbothello pastel pencil (1400/385), and just a hint of moss green (R 626,5).
Highlight some grasses in the field with a mild yellow color.
Step 11 Final: Lastly, add some individual grasses in the foreground green/gray (R 202,3), and red (U Red 9). Then make a shadow under the trees with purple (U BV5). And you’re done!
This image may look a little different color-wise, because I scanned in the original painting instead of taking a picture.
“Do not let any unwholesome talk come out of your mouths, but only what is helpful for building others up according to their needs, that it may benefit those who listen.”
